Lights Optimization

You can disable shadow rendering for some surfaces or materials. For example, it can be done for the farthest LOD surface (when the shadows don't matter).

To disable shadow rendering for a surface:

1. In the World Hierarchy window, choose the node and go to the Surfaces section in the Node tab of the Parameters window.

2. Select the required surfaces and toggle the Cast Proj and Omni Shadows parameter off. To disable shadows from the world light, toggle the Cast World Shadows parameter off.

   

To disable shadow rendering for a material:

1. In the Materials Hierarchy window, choose the material and go to the Common tab of the Parameters window.

2. Toggle the Cast Proj and Omni Shadow parameter off. To disable shadows from the World Light, toggle the Cast World Shadow parameter off.

   

Dynamic lighting ensures that all shadows from moving light sources cast by moving objects are rendered correctly. This approach implies that geometry of your scene is rendered one more time each frame to calculate shadows for each Projected light source (or six more times — for each Omni). Using multiple dynamic lights in the scene and calculating shadows for them on the fly may cause a performance drop, especially when the scene contains complex geometry with lots of polygons. It can be a terrible waste of resources, when most objects and lights are static.

It’s better to avoid dynamic shadows and use baked ones for everything static wherever possible. You can replace dynamic Omni and Projected Light sources with static ones (shadows for them are precomputed and stored in depth textures).

Types of shadows to be rendered are defined by the light’s mode and shadow modes set for both lights and object surfaces.

Depending on your needs, you can choose to render baked shadows only, or combine rendering of both baked and dynamic ones. The table below shows all possible variants of shadow settings.

Thus, for a Dynamic light, shadows from all lit objects are rendered as dynamic.

For a Static light in Static shadow mode, only baked shadows from objects with Mixed shadow mode are rendered; dynamic shadows are not rendered at all.

For a Static light in Mixed shadow mode, both types of shadows are rendered: baked (from surfaces with Mixed shadow mode) and dynamic (from surfaces with Dynamic shadow mode).

Mixed mode implies that the dynamic shadow map is copied into the static depth texture and the result is rendered. If you select a higher resolution, the process of copying the shadow map can take time and affect performance. Therefore, 4K resolution in the Mixed shadow mode makes sense if the scene has more than 1.5 million triangles, otherwise Dynamic mode may be faster. Moreover, pay attention to video memory consumption, as a single 4K resolution depth texture for an omni light takes about 400 MB.

The World Light source works in a similar way, but it uses shadow cascades. In Dynamic mode, shadow cascades are built dynamically relative to the camera's position, while in Static, they are baked and have their area defined by the light source's position. Static mode of the World Light is suitable as a performance optimization technique for small-area ArchViz projects where shadow cascades can be divided into two sections: walkable area with high-resolution shadows (as they're observed closely) and non-walkable area with low-resolution shadows (as they're observed from a distance). Note that changing the time of day is not available in Static mode, as shadow cascades are baked.

Notice

The Cached Shadows video tutorial illustrates how to set and use dynamic and static shadows.

A Shadow mask allows you to control rendering of shadows. You can specify which surfaces lit by a light source should cast shadows:

1. For a light source, specify the Shadow mask: open the World Hierarchy window and select your light source. In the Shadow Mask section of the Node tab in the Parameters window, specify the shadow mask.

   

2. For all surfaces that are lit by the light source and should cast shadows, specify the Shadow mask that matches the light source's Shadow mask (one bit at least).
3. For all materials applied to such surfaces, specify the matching shadow mask as well.

Notice

An example of using shadow masks is available in the Content Optimization video tutorial.

For all types of light sources, screen-space shadows can be rendered instead of the shadow maps at large distances. It improves the performance, as such shadows don't depend on complexity of the geometry.

You can enable screen-space shadows in one of the following ways:

• In the Menu Bar, choose Rendering -> Shadows -> Screen Space Shadows.
• In the Menu Bar, choose Windows -> Settings and then go to the Shadows section. Here you can toggle the Screen Space Shadows parameter on.

You can also set up per-light screen space shadows in the type-specific tabs (Light World, Light Omni, etc.) of the Parameters window.

All Omni and Projected light sources are subject to a common deferred optimization technique — the Scissor Test: for each light source a scissor rectangle is found to define its bounds and, therefore, the area of its influence. The scissor rectangle defines the size of the render target for the current light source, since everything that falls outside that region is not affected by the light at the current moment.

Enable the Scissors visual helper or use the render_show_scissors 1 console command to enable visualization of the Scissor Test.

Therefore, the size of a light source significantly affects the performance: the larger the screen area where the illuminated surface is rendered, the lower the light performance is. So, keep the size as small as possible.

In this mode lighting is rendered during the Deferred pass in half resolution (1/4 of all pixels) with subsequent reconstruction of neighboring pixels using the data from previous frames, making it possible to reduce rendering load.

For more details refer to the Interleaved Lights Rendering article.

You can control rendering of light sources and cast shadows by specifying the visibility distances.

The global settings for all light sources (World, Omni, Projected) can be specified in the Visibility Distances section of the Settings window.

Non-opaque geometry is shaded on the Forward pass of the Rendering Sequence. Since all light sources are applied to each transparent surface in a cycle, it is highly recommended to keep the number of lights affecting transparent objects as low as possible for optimal performance.

Global Lights Settings include Forward Per-Object Limits where you can limit the number of certain light sources that affect each transparent object at a time.

If your scene contains water object(s), you can disable rendering the light from the light source on them. It will significantly increase the performance.

1. Select a light source in the World Hierarchy.

   

2. In the Parameters window, go to the Render section and toggle the Water parameter off.

   

Billboards can be used to simulate small light sources observed from large distances. In such cases, only visualization of light sources matters. For example, you can use Billboards for takeoff runway lights. They don't produce any light, but look like real lights.

To create Billboard that replaces a real light source, perform the following:

1. Add a Billboard object to the scene by choosing Create -> Billboards -> Base in the Menu Bar and place it somewhere in the world.

   

2. Assign a material inherited from the billboards_base material.

3. Specify the following settings for this material:

   1. In the Common tab, set the blending Preset to Additive and toggle the Depth Write parameter off to avoid obstructing objects behind the Billboard.

      

   2. In the States tab, disable writing into the Deferred Buffers and enable the following states:

      • Emission to provide the emission effect by using the corresponding texture.
      • Geometry Inflation to limit the minimum Billboard screen size to a fixed value and, therefore, to provide visibility from far distances.
      • Soft Interaction to make interaction of the Billboard with other objects in the scene softer and avoid artifacts.

      

   3. In the Textures tab, specify the Diffuse and Emission textures.

      

   4. In the Parameters window, specify the following values:

      • Set the Diffuse color multiplier to black, so that Billboard become fully transparent.
      • Increase the Emission Scale to make Billboard brighter.
      • Increase the Geometry Parameters to scale the size of Billboard and limit the minimum size of Billboard.
      • Correct the Soft Interaction value, if necessary.

      

As a result, you get the Billboard that can be used to simulate a small light source at far distances. You can add any required number of Billboards to the existing Billboard object: in the Parameters window, select the created Billboard in the list and click Add.

Volumetric objects can be used to simulate visible light volumes instead of using real light sources. Such objects should be used when you don't need illumination. For example, by using Volumetric objects, you can create light spheres, beams, or volumes, imitate sun beams falling into a room through openings, and so on.

To create such light volumes, perform the following:

1. Add the Volume Sphere object by choosing Create -> Volume -> Sphere Light in the Menu Bar and make it a child of the node that should emit the light.

   

2. In the Volume Sphere section of the Parameters window, change the size of the sphere to 0.15.

3. In the Node tab of the Parameters window, set coordinates of the volume sphere to the parent node and then slightly correct the sphere position, so that it looks realistic.

   

4. Assign a material inherited from the volume_light_base base material and specify the required values in the Parameters tab. For example, you can set the color of the light sphere and scale the density of the light.

   

5. Add the Volume Projected object by choosing Create -> Volume -> Projected in the Menu Bar and make it a child of the node that should emit the light.

   

6. In the Node tab of the Parameters window, reset the position and rotation of the Volume Projected to the parent node ones.

   

7. In the Volume Projected section of the Parameters window, specify the required parameters of the light beam. For example, change its size, radius, field of view, and step.

   

8. Assign a material inherited from the volume_proj_base base material.

9. In the Parameters window of the material, set the color of the light beam the same as for the Volume Sphere and decrease the diffuse scale to 0.5 to make the color less bright.

   

As a result, you get a light sphere and a beam imitating the real light source.